Wan-Lun Yu

Taiwanese.  Based in Brussels.
dancer, performer, and maker.

She graduated from Taipei National University of Arts, ever since, She have been collaborated with a numbers of choreographers, visual artists, directors across Europe and Asia. Including Gerard&Kelly,  Shezad Dawood, Mylène Benoit, Hsiao-Mei Ho, Yen-Cheng Liu, Ming-Chen Li, Chien-Ming Chang (Hofesh Shechter Company), Chien-Ju Chia,、Hiroaki Umeda, Nemo Flourt, etc.

She joined Peeping Tom in 2020 for Triptych: The Missing Door, The Lost Room, and The Hidden Floor, and she has been touring internationally since then.

Between Taipei and Brussels, Wan-Lun is also establishing personal work.

She investigates how to reconcile intuition, emotion and consciousness to talk about culture, identity and society through body expression. The first collaboration with Belgian audiovisual artist Joeri Verbesselt, short film Retreat, was selected for the CPH:DOX film festival in Copenhagen(2020),、Ann Arbor Film Festival (2021), The New York Science Fiction Film Festival(2022), The European Philip K Dick Film Festival(2022) The second project Tableau Vivant funded by the Taiwan National Culture and Arts Foundation and the Flemish Government. They have their work-in-progress presentation in STUK Leuven in 2018 and Taipei, Taiwan in 2020. Continuously,  they developed two site-specific series project: foam, slaver, froth, sperm (2019) and  Find the Apple(2020). In 2023, invited by Visual artist and film director Naïmé Perrette, to choreograph and perform Liquid Border for the opening of group exhibition LIPPIA at les îles mardi.

余宛倫

臺灣臺中人，現居布魯塞爾。
舞者、表演者、創作者

於2020年加入比利時舞蹈劇場「偷窺者舞團」，參與 Triptych : The missing door, The lost room and The hidden floor 巡迴演出。 

畢業於國立臺北藝術大學舞蹈系後，在亞洲與歐洲之間與不同編舞、導演、視覺藝術家合作：Gerard&Kelly,  Shezad Dawood, Mylène Benoit, 何曉玫、張建明、劉彥成、李銘宸、賈茜如、梅田宏一以及Nemo Flourt等。
同時持續發展個人創作，2023年受視覺藝術家與導演 Naïmé Perrette邀請於布魯塞爾les iles mardi 藝廊，為集合展覽LIPPIA 創作並演出 Liquid Border/液體邊界。2020年，與比利時視聽藝術家 Joeri Verbesselt 合作短片 Retreat，入選 CPH:DOX 哥本哈根電影節、Ann Arbor Film Festival (2021), The New York Science Fiction Film Festival(2022), The European Philip K Dick Film Festival(2022) 。劇場創作 Tableau Vivant/甦醒的繪畫，獲得臺灣國藝會創作補助及比利時法蘭德斯地區政府支持；並發展支線作品 foam, slaver, froth, sperm (2019), 以及 Find the Apple(2020).